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Silk designers

Robert Dallet

6 Hermès silk designs credited to Robert Dallet, each with what its sources record and what they leave open.

An original AI-generated watercolor evokes the theme of “Africa” without reproducing its scarf design.
An original AI-generated watercolor evokes the theme of “Africa” without reproducing its scarf design.AI-generated illustration for MyQuotaBag Heritage, 2026. Not an archive, a photograph or an exact Hermès object.

Each design below is documented from auction catalogues, museum records, artist and collector references. Dates and attributions stay as the sources give them.

Africa

First documented year: 1997 · 90 cm silk

The website dedicated to Robert Dallet dates Africa’s first collection appearance to 1997 and identifies a 90-centimeter silk scarf.[1]

Eppli independently states that the design was first published in 1997.[2] Its auction catalogue credits Dallet and records a 90-centimeter square in silk with hand-rolled hems.[2]

A separate auction description identifies wild animals of the savanna on an orange, red, brown and black example.[3] This supplies object-specific evidence for the animal subject beyond the broad geographical title.[3]

The two dated records support 1997 without establishing a specific launch day or a complete reissue sequence.[1][2] The descriptions do not connect the animals to a particular expedition or identify a single preparatory drawing.[2][3]

Still open: The exact printed signature and inaugural release remain unconfirmed. The consulted records do not establish a complete reissue history or a documented annual-theme connection.

En piste

First documented year: 1998 · 90 cm silk

An AI-generated watercolor evokes the thematic world of “En piste” without reproducing a scarf design.
An AI-generated watercolor evokes the thematic world of “En piste” without reproducing a scarf design.AI-generated illustration for MyQuotaBag Heritage, 2026. Not an archive, a photograph or an exact Hermès object.

The website dedicated to Robert Dallet explicitly identifies En piste as a 90-centimeter silk scarf first released in the 1998 collection.[1]

Dorotheum independently dates the drawing to 1998 and describes a circus composition with performers, horses and ponies.[4] Feathers and stars accompany the figures in the catalogued design.[4]

The auction example is silk with rolled edges, measured at approximately 87 by 90 centimeters.[4] This object measurement is consistent with the nominal format identified by the artist-site caption.[1][4]

The records connect the design to circus imagery but do not name a historical troupe or a particular performance.[1][4] Its place in Dallet’s work can therefore be described through the documented animal and performer subject without inventing a specific commission.[4]

Still open: The exact printed signature and inaugural release remain unconfirmed. The consulted records do not establish a complete reissue history or a documented annual-theme connection.

Halte en camargue

First documented year: 1988 · 90 cm silk

An AI-generated watercolor evokes the thematic world of “Halte en camargue” as an original editorial illustration, not a documentary photograph or a reproduction of an existing design.
An AI-generated watercolor evokes the thematic world of “Halte en camargue” as an original editorial illustration, not a documentary photograph or a reproduction of an existing design.AI-generated illustration for MyQuotaBag Heritage, 2026. Not an archive, a photograph or an exact Hermès object.

The website dedicated to Robert Dallet explicitly places Halte en camargue in the 1988 collection and identifies the format as a 90-centimeter silk scarf.[1]

NEO Enchères independently catalogues a silk square under the same title and credits Robert Dallet.[5] This supports the artist attribution through an examined object.[5]

The artist-site chronology is retrospective rather than a reproduced seasonal booklet.[1] Nevertheless, its explicit first-collection wording supplies a more precise basis for 1988 than an undated assumption about the design.[1]

The auction notice does not identify a particular journey or source drawing behind the composition.[5] A detailed account of Dallet’s intentions would require evidence beyond these short catalogue records.[1][5]

Still open: The exact printed signature and inaugural release remain unconfirmed. The consulted records do not establish a complete reissue history or a documented annual-theme connection.

Kenya

First documented year: 1988 · 90 cm silk; auction example described as damask silk

An AI-generated watercolor evokes the thematic world of “Kenya” without reproducing a scarf design.
An AI-generated watercolor evokes the thematic world of “Kenya” without reproducing a scarf design.AI-generated illustration for MyQuotaBag Heritage, 2026. Not an archive, a photograph or an exact Hermès object.

The website dedicated to Robert Dallet explicitly dates Kenya’s first collection appearance to 1988.[1] It identifies a silk scarf in the 90-centimeter format.[1]

Aix Luberon Enchères independently credits Dallet and gives 1988 as the drawing’s creation year.[6] The catalogued square measures 90 centimeters and is described as damask silk.[6]

The material description belongs to that examined object.[6] It should not automatically be extended to every later scarf carrying the same title, since the artist-site caption identifies silk without specifying its weave.[1][6]

The agreement provides a supported first-year entry, but neither record establishes that Kenya was Dallet’s inaugural design for the house.[1][6] The consulted descriptions also do not tie its imagery to an individual journey or a named preparatory work.[1][6]

Still open: The exact printed signature and inaugural release remain unconfirmed. The consulted records do not establish a complete reissue history or a documented annual-theme connection.

Les girafes

First documented year: 2006 · 90 cm silk

An AI-generated watercolor evokes the thematic world of “Les girafes” as an original editorial illustration, not a documentary photograph or a reproduction of an existing design.
An AI-generated watercolor evokes the thematic world of “Les girafes” as an original editorial illustration, not a documentary photograph or a reproduction of an existing design.AI-generated illustration for MyQuotaBag Heritage, 2026. Not an archive, a photograph or an exact Hermès object.

The website dedicated to Robert Dallet explicitly places Les girafes in the 2006 collection and identifies a 90-centimeter silk scarf.[1]

Crédit Municipal de Paris independently records a silk-twill example depicting two adult giraffes with a young animal and birds.[7] Its notice transcribes the signature as R. Dallet.[7]

The catalogued object measures approximately 89 centimeters square.[7] That measurement documents the examined scarf rather than establishing a separate named size from the artist-site 90-centimeter format.[1][7]

The family grouping and accompanying birds provide a specific description of the subject.[7] The records do not identify an individual wildlife expedition or establish that a particular preliminary drawing was used for this composition.[1][7]

Still open: The exact printed signature and inaugural release remain unconfirmed. The consulted records do not establish a complete reissue history or a documented annual-theme connection.

Sichuan

First documented year: 1995 · 90 cm silk; pleated silk

An AI-generated watercolor evokes the thematic world of “Sichuan” without reproducing a scarf design.
An AI-generated watercolor evokes the thematic world of “Sichuan” without reproducing a scarf design.AI-generated illustration for MyQuotaBag Heritage, 2026. Not an archive, a photograph or an exact Hermès object.

The website dedicated to Robert Dallet explicitly dates Sichuan’s first collection appearance to 1995 and identifies the 90-centimeter silk format.[1]

Hôtel des Ventes des Quinconces independently records a silk square under that title, crediting R. Dallet and associating the drawing with 1995.[8] Its example is predominantly blue and green.[8]

Enchères en Seine also documents a pleated example under the same title.[9] This establishes a different textile presentation, but the notice does not provide a complete chronology linking pleated and flat editions.[9]

The first-year statement therefore rests on the explicit artist-site caption, with independent support for the artist and associated date from the auction record.[1][8] The title alone does not establish a particular journey by Dallet or a documented source photograph.[1][8]

Still open: The exact printed signature and inaugural release remain unconfirmed. The consulted records do not establish a complete reissue history or a documented annual-theme connection.

Sources and limits

  1. Hermès collaborations · Site consacré à Robert Dallet
  2. Mode et accessoires, lot 29 · Eppli2026-01-10
  3. Africa, lot 23 · Gazette Drouot
  4. En piste · Dorotheum
  5. Halte en Camargue, lot 87 · NEO Enchères
  6. Catalogue, lot 106 V · Aix Luberon Enchères2024-06
  7. Catalogue, lot 68 · Crédit Municipal de Paris2024-10-12
  8. Collection 2023 Summer · Hôtel des Ventes des Quinconces2023-06-01
  9. Vente d’été, lot 213 · Enchères en Seine, Interencheres2026-08

Separate catalogues do not always prove independent dating. A date given for a design is not assumed to be its first edition unless a source says so.

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